It becomes clear that there’s not enough of a story here: The twists are fun, but hardly jaw-dropping, and the descriptive redundancies feel like padding for a book thinner than its page count suggests. Tangerine is an extraordinary debut, so tightly wound, so evocative of 1950s Tangier, and so cleverly plotted that it will leave you absolutely breathless.
The writing is laborious, particularly early on, and Mangan’s Hitchcock emulation turns problematic as confounding sexual politics increasingly drive the narrative. Her style feels more imitative than original, a dispiriting reminder of what more daring storytellers could do here. And once that initial intrigue wears off, Mangan’s touch loses its luster rather quickly. Tangerine: A Novel Summary & Study Guide includes comprehensive information and analysis to help you understand the book. Despite being portrayed as a mostly manipulative street ruffian with zero interiority throughout, he kindly dispenses this smarting bit of wisdom to a British woman whose dogmatic gullibility has. This isn’t to say Tangerine is at the level of those masters. Tangerine by Christine Mangan Already optioned for film by George Cooneys production picture (with Scarlet Johansson set to star), Tangerine is the scorching thriller everyone will talking. She is fragile and rarely goes outside of the apartment. The plotting all but demands comparisons to Patricia Highsmith the sweaty, paranoid atmosphere screams Hitchcock. Tangerine takes readers to 1956 Tangier, Morocco, where English newlywed Alice Shipley resides with her husband John. Tangerine is cinematically engineered, an aromatic stew of ingredients ripe for a big-screen treatment - exotic ’50s setting, unreliable narrators with inscrutable motivations, mysteries clouded in madness.
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